Traub, Charles H.
American, b. 1945
During his years in Chicago, Traub also completed a body of work devoted to the city's beaches. His photographs of men and women on the waterfront are by turns sensual and comical, depicting people lying on the sand, swimming or sunbathing, or showing off for other beach-goers. In these scenes, as with his street photographs, Traub's vantage point is incredibly close to the people he photographs, zeroing in on woman's hip or a man's backside or sprawled legs. The vignetting in these works, a soft black border around the image, can lend the impression of looking through a peephole at something usually kept out of sight. At the same time, Traub's beach pictures are distinctive for their dynamic formal arrangements and off-kilter angles. He tilts the camera so the horizon line becomes an abrupt diagonal cutting through the image, while organizing the figures along more vertical and horizontal axes in front of it. He also staggers the beachgoers from foreground to background, creating a counterpoint between the person at the center of the image and people farther off.
A photographer and educator for over five decades, Charles Traub began his career in Chicago. After completing a BA at the University of Illinois (1967) and an MS in photography at Illinois Institute of Technology (1971), Traub joined the faculty at Chicago's Columbia College, where he taught from 1971 to 1977. In 1976 Traub founded the Chicago Center for Contemporary Photography, the predecessor to the Museum of Contemporary Photography, which was established seven years later. In 1987, having relocated to New York, Traub founded the graduate MFA Program in Photography, Video, and Related Media at the School of Visual Arts, where he taught for over thirty years.
William Mebane, American, b. 1972; Martin Hyers, American, b. 1964