Greenburg, Jennifer
American, b. 1977
Greenburg began the project by making portraits of individuals and families in their homes and other private settings. These photographs, such as Eric After the Weekender (2007), demonstrate not only how her subjects dress—in wingtip shoes and vintage shirts, in Eric's case—but also how they furnish their living spaces. Eventually Greenburg expanded the project and began to photograph public social events as well, providing a more complete picture of the Rockabilly lifestyle.
Continuing on the theme of timelessness, Greenburg uses digital manipulation to stitch contemporary images of herself and her husband into scenes of mid-century America in her series, Revising History. The resulting black-and-white images retain the vintage charm of the original, anonymous negatives she appropriates, depicting domestic activities, quaint suburban backdrops, and happy family moments mostly left intact. The images in the series tend to look like photos found in a family album and the nostalgia for the past is intentional. She states, “I believe the post-war era in the United States was a grand era in American history…. I feel that currently we have lost a lot of that hopeful idealism.” By implicitly drawing comparisons between the present and a perceived national past, Revising History underscores the camera’s ability to restage both personal and collective memories while also questioning the degree to which photographs can offer an authentic view into a moment in time.
Born in Chicago, Greenburg completed a BFA at the School of the Art Institute of Chicago and an MFA at the University of Chicago, with an emphasis on documentary video and photography. She has taught at Columbia College Chicago, Loyola University Chicago, Harold Washington College in Chicago, College of Lake County in Grayslake, IL, and University of the Arts in Philadelphia, PA. She was also a tenured Associate Professor of Fine Arts at Indiana University Northwest.
