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for Barnes, Richard
Barnes, Richard
American, b. 1953
Richard Barnes photographs the cabin forensically as it might appear in a police record, underscoring its evidentiary role by shooting it from all four sides in black-and-white with sharp focus and floating against a black background. He also photographs the cabin in the FBI warehouse, on display in a room like a piece of contemporary sculpture in an art gallery, and combines it with a photograph of the location in which the cabin once stood, its former placement now delineated by a chain-link fence. Interested in both the idea of displacement and the ambiguity of representation, Barnes highlights the disconnect between the banal appearance of the cabin and the infamous status it has acquired through circumstance.
Born in 1953 in Newark, New Jersey, Richard Barnes completed his BA from the University of California, Berkeley (1979). He has held solo exhibitions at the Museum of Photographic Arts, San Diego, CA; Carnegie Museum of Art, Pittsburgh, PA; Carpenter Center at Harvard University, Cambridge, MA; University of Michigan Art Museum, Ann Arbor, MI; and the Cranbrook Academy of Art Museum, Bloomfield, MI. His work is held in the collections of the Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Boston Museum of Fine Arts; Cleveland Museum of Art; Philadelphia Museum of Art; San Francisco Museum of Modern Art; and the Hirschhorn Museum and Sculpture Gardens , Washington, D.C. Barnes has served as an adjunct professor and visiting artist at the San Francisco Art Institute and has also taught at the California College of the Arts in San Francisco.
American, b.1895 San Francisco, CA; d.1989
American, b.1895, Hoboken, NJ; d. 1965