Opera, John
American, b. 1975 Buffalo, NY
John Opera’s unique anthotypes are made using antiquarian photographic processes involving photosensitive material derived from various berries and vegetables. Painting with inks on water in a glass-bottomed tray over an exposure unit, Opera creates a marbleized composition. He then exposes the image to light and onto a contact print, creating a negative. The negative is then placed over paper treated with natural dyes (beets, blueberries, and pokeberries) that fade away when left to age in sunlight for weeks at a time. Opera’s intention in using the anthotype process is first to emphasize the dialectic between photography’s surface qualities and its qualities as illusionistic and indexical space. Secondly, the works make reference to the inherent relationship between liquid chemical reactions inside the natural world and their connected activity that brings a traditional photographic image into being.
John Opera completed his MFA from the School of the Art Institute of Chicago (2005) and a BA in Photography from the State University of New York at New Paltz (1998). His work has been included in numerous exhibitions such as at Higher Pictures, New York, NY (2015); DePaul Art Museum, Chicago, IL (2013); and the Contemporary Art Museum St. Louis, St. Louis, MO (2011).
Kahn, Nicholas (American, b. 1964) and Selesnick, Richard (American, b. 1964)